41 Wonderful Facts About Mister Rogers

PBS Television, Getty Images
PBS Television, Getty Images

Fred Rogers remains an icon of kindness for the ages. An innovator of children’s television, his salt-of-the-earth demeanor and genuinely gentle nature taught a generation of kids the value of kindness. Just ahead of A Beautiful Day in the Neighborhood, a new biopic in which Tom Hanks stars everyone's favorite "neighbor," here are 41 things you might not have known about Fred Rogers.

1. Fred Rogers was bullied as a child.

A publciity image of David Newell (L) and Fred Rogers (R) from 'Mister Rogers' Neighborhood' is pictured
Focus Features

According to Benjamin Wagner, who directed the 2010 documentary Mister Rogers & Me—and was, in fact, Rogers’s neighbor on Massachusetts's Nantucket island—Rogers was overweight and shy as a child, and was regularly taunted by his classmates.

"I used to cry to myself when I was alone," Rogers said. “And I would cry through my fingers and make up songs on the piano."

2. Rogers left Dartmouth College after one year.

Rogers was an Ivy League dropout. He spent his freshman year at Dartmouth College, then transferred to Rollins College, where he pursued a degree in music.

3. He was an accomplished musician.

Fred Rogers in a still from 'Won't You Be My Neighbor?' (2018)
Focus Features

Rogers transferred to Rollins College in order to pursue a degree in music and graduated Magna cum laude. In addition to his talent for playing the piano, Rogers was also an incredible songwriter.

4. He wrote the music for Mister Rogers' Neighborhood.

Need proof of Rogers's songwriting prowess? He wrote all the songs for Mister Rogers' Neighborhood—plus hundreds more.

5. Playing the piano was his favorite stress-reducer.

Whenever Rogers began to feel anxious or overwhelmed, he would play the Mister Rogers' Neighborhood theme song on the piano as a way to calm his nerves.

6. He had a strict daily routine.

Rogers was a stickler when it came to his daily routine: He started his day at 5 a.m. and made time for a prayer as well as some studying, writing, phone calls, swimming, and responding to his fan mail.

7. He weighed himself daily.

Mister Rogers
Getty Images

Another part of Rogers's daily routine included a daily weigh-in. He liked to maintain a weight of exactly 143 pounds.

8. His weight had a special meaning.

Rogers's regular weight of 143 had special meaning to him. "It takes one letter to say I and four letters to say love and three letters to say you," Rogers once said. "One hundred and forty-three."

9. Pennsylvania celebrated 143 day in 2019.

In 2019, Pennsylvania governor Tom Wolf declared May 23 to be 143 Day in the state. Rogers was born near Pittsburgh and lived his whole life in the area. By honoring Rogers with his own holiday, the individuals behind the 143 Day campaign wanted to encourage people to be kind to their neighbors on May 23—and every other day of the year.

10. Rogers responded to every fan letter he received.

Rogers took time out of each day to respond to his fan mail, and he responded to each and every letter he received—approximately 50 to 100 letters per day. "He respected the kids who wrote," Heather Arnet, an assistant on Mister Rogers’ Neighborhood, told the Pittsburgh Post-Gazette. “He never thought about throwing out a drawing or letter. They were sacred."

11. No feeling was too big—or small—for Mr. Rogers to talk about.

A promotional image of Fred Rogers for 'Mister Rogers' Neighborhood' is pictured
Amazon

Over the many years he worked with children, Rogers spoke very openly about his and their feelings on every sort of topic, from why kids shouldn't be afraid of haircuts to divorce and war.

12. He spent five episodes talking about nuclear war.

Since its inception on Pittsburgh's WQED in 1968, Mister Rogers’ Neighborhood had informed its young audience about topical issues in subversive and disarming ways. When civil rights were discussed, host Fred Rogers didn’t deliver a lecture about tolerance. Instead, he invited a black friend, Officer Clemmons, to cool off in his inflatable pool, a subtle nod to desegregation.

Rogers conceived and taped a five-episode storyline on the subject in the summer of 1983, which wound up being prescient. In November 1983, president Ronald Reagan ordered the invasion of Grenada to topple a Marxist regime.

“Little did I know we would be involved in a worldwide conflict now,” Rogers told the Associated Press. “But that’s all the better because our shows give families an opportunity for communication. If children should hear the news of war, at least they have a handle here, to assist in family communications.”

13. Rogers had a special way of talking to kids.

Mr. Rogers knew children well. He knew how they thought, what they liked, what they feared, and what they struggled to understand—and he went to great lengths to ensure he never upset or confused his devoted viewers.Mr. Rogers knew children well. He knew how they thought, what they liked, what they feared, and what they struggled to understand—and he went to great lengths to ensure he never upset or confused his devoted viewers.

Maxwell King, author of the forthcoming book The Good Neighbor: The Life and Work of Fred Rogers, wrote in The Atlantic that Mr. Rogers carefully chose his words while filming Mr. Rogers’ Neighborhood. He understood that children think in a literal way, and a phrase that might sound perfectly fine to adult ears could be misinterpreted by younger audiences.

Rogers was “extraordinarily good at imagining where children’s minds might go,” King said, adding that Mr. Rogers wrote a song called “You Can Never Go Down the Drain” because he knew this might be a fear shared by many children.

14. Rogers used King Friday to make Friday the 13th less scary for kids.

King Friday XIII, son of King Charming Thursday XII and Queen Cinderella Monday, is an avid arts lover, a talented whistler, and a former pole vaulter. He reigns over Calendarland with lots of pomp and poise, and he’s usually correct.

Fans of Mister Rogers’ Neighborhood may also remember that King Friday XIII, who reigned over Calendarland, was born on Friday the 13th, because his birthday was celebrated on the program every Friday the 13th. Though the math isn’t perfect—according to Timeanddate.com , Friday the 13th sometimes happens two or three times a year—the reason behind it absolutely is.

Rogers explained that he wanted to give children a reason to look forward to Friday the 13th, instead of buying into the negative superstitions that surround the dreaded date. “We thought, ‘Let’s start children out thinking that Friday the 13th was a fun day,’” he said in a 1999 interview. “So we would celebrate his birthday every time a Friday the 13th came.”

15. Rogers was an ordained Presbyterian minister.

Rogers was an ordained minister who preached tolerance wherever he went. When Amy Melder, a 6-year-old Christian viewer, sent Rogers a drawing she made for him with a letter that promised “he was going to heaven,” Rogers wrote back to his young fan:

“You told me that you have accepted Jesus as your Savior. It means a lot to me to know that. And, I appreciated the scripture verse that you sent. I am an ordained Presbyterian minister, and I want you to know that Jesus is important to me, too. I hope that God’s love and peace come through my work on Mister Rogers’ Neighborhood.”

16. Rogers was not a fan of foul language.

If Rogers used the word mercy, it probably meant that he was feeling overwhelmed. He was typically heard saying it when he sat down at his desk in the morning and saw the mountain of fan mail awaiting him. But mercy was about the strongest word in his vocabulary.

17. Rogers was not a fan of television, which is why he gravitated toward it.


Rogers’s decision to work in television wasn’t out of a love for the medium. "When I first saw children's television, I thought it was perfectly horrible," Rogers told Pittsburgh Magazine. "And I thought there was some way of using this fabulous medium to be of nurture to those who would watch and listen."

18. There's a reason why the stoplight is always yellow in the opening sequence to Mister Rogers' Neighborhood.

In the opening sequence of Mister Rogers' Neighborhood, the stoplight is always on yellow as a reminder to kids—and their parents—to slow down a little.

19. Rogers believed that patience was a virtue—even if it meant dead air time.

Rogers wasn't afraid of dead air: He once invited a marine biologist onto the show and put a microphone into his fish tank, because he wanted the kids at home to see (and hear) that fish make sounds when they eat. While taping the segment, however, the fish weren't hungry so the marine biologist started trying to egg the fish on. But Rogers just sat there, waiting quietly. The crew figured they'd need to re-tape it, but Rogers didn't want to. He thought it was a great lesson in teaching kids the importance of being patient.

20. Rogers always made sure to announce that he was feeding his fish for a very specific reason.

Rogers always mentioned out loud that he was feeding his fish because a young blind viewer once asked him to do so. She wanted to know the fish were OK.

21. Rogers was not a fan of ad-libbing.

Rogers was a perfectionist, and very much disliked ad-libbing. He felt that he owed it to the kids who watched his show to make sure that every word on his show was thought out.

22. Kids who watched Mister Rogers' Neighborhood retained more than those who watched Sesame Street.

A Yale study pitted fans of Sesame Street against Mister Rogers’ Neighborhood watchers and found that kids who watched Mister Rogers tended to remember more of the story lines, and had a much higher “tolerance of delay,” meaning they were more patient.

23. Animals loved Rogers as much as people did.

It wasn’t just kids and their parents who loved Mister Rogers. Koko, the Stanford-educated gorilla who understood 2000 English words, was an avid fan, too. When Rogers visited once her, she immediately gave him a hug—and took his shoes off.

24. Rogers's mother knitted all of his sweaters.

If watching an episode of Mister Rogers’ Neighborhood gives you sweater envy, we’ve got bad news: You’d never be able to find his sweaters in a store. All of those comfy-looking cardigans were knitted by Fred’s mom, Nancy. In an interview with the Archive of American Television, Rogers explained how his mother would knit sweaters for all of her loved ones every year as Christmas gifts. “And so until she died, those zippered sweaters I wear on the Neighborhood were all made by my mother,” he said.

25. One of rogers's sweaters lives in the Smithsonian.

In 1984, Rogers donated one of his iconic sweaters to the Smithsonian’s National Museum of American History.

26. Rogers's sweater collection was actually challenging to maintain.

Fred's mother, Nancy Rogers, died in 1981. Rogers continued wearing the sweaters she had made for years ... until it became obvious that they wouldn’t endure many more tapings of the show. Replacements were sought, but art director Kathy Borland quickly discovered that the search was not unlike trying to replace Superman’s cape. A Fred Rogers sweater needed a zipper with a smooth operation so it wouldn’t snag on camera. It also needed to be vibrant.

Nothing fit the bill until Borland saw a United States Postal Service employee walking down the street in Pittsburgh, Pennsylvania—where the show taped—and took note of his cardigan. Borland phoned postal supply distributors and was able to secure a fresh inventory of sweaters (which she bought white, and then dyed) that kept Rogers looking like himself through the show’s final episode in 2001.

27. Rogers changed into sneakers as a production practicality.

According to Wagner, Rogers’s decision to change into sneakers for each episode of Mister Rogers’ Neighborhood was a production-related consideration. “His trademark sneakers were born when he found them to be quieter than his dress shoes as he moved about the set,” wrote Wagner.

28. He invited the driver who took him to a PBS dinner to eat with them.

While being transported to a PBS executive's house, Rogers heard his limo driver say that he was going to have to wait outside for two hours while the party dined—so Rogers insisted that the driver join them for dinner.

On the ride back home, Rogers sat in the front of the car with the driver, who mentioned that they were passing his house on their way back to Rogers's home. So Rogers asked if they could stop in to meet the family. According to the driver, it was one of the best nights of his life: Rogers played piano for the family and chatted with them until late into the night.

29. No, Rogers was never a sniper.

The internet has stirred up all sorts of bizarre rumors about Rogers, including one that he served in the army and was a sniper in Vietnam and another that he served in the army and was a sniper in Korea. As exciting as that might make an upcoming biopics, these are both untrue.

30. Rogers was partly responsible for helping to save public television.

In 1969, Rogers—who was relatively unknown at the time—went before the Senate to plead for a $20 million grant for public broadcasting, which had been proposed by President Johnson but was in danger of being sliced in half by Richard Nixon. His passionate plea about how television had the potential to turn kids into productive citizens worked; instead of cutting the budget, funding for public TV increased from $9 million to $22 million.

31. Rogers also helped to save the VCR.

Years after he appeared before the Senate, Rogers also managed to convince the Supreme Court that using VCRs to record TV shows at home shouldn’t be considered a form of copyright infringement. Rogers argued that recording a program like his allowed working parents to sit down with their children and watch shows as a family. Again, he was convincing.

32. At least one professor believes that rogers's impact on kids wasn't all that positive.

LSU professor Don Chance is one of the few people who isn't 100 positive about Rogers's legacy: He believes that Rogers created a, "culture of excessive doting" which resulted in generations of lazy, entitled college students.

33. He was regularly parodied—and loved every second of it.

Rogers was regularly parodied, and he loved it. The first time Eddie Murphy met Mr. Rogers, he couldn't stop himself from giving the guy a big hug.

34. Rogers was colorblind.

Those brightly colored sweaters were a trademark of Mister Rogers’ Neighborhood, but the colorblind host might not have always noticed. In a 2003 article, just a few days after his passing, the Pittsburgh Post-Gazette wrote that:

"Among the forgotten details about Fred Rogers is that he was so colorblind he could not distinguish between tomato soup and pea soup."

35. Michael Keaton got his start on MISTER ROGERS' NEIGHBORHOOD.

Oscar-nominated actor Michael Keaton's first job was as a stagehand on Mister Rogers' Neighborhood, manning Picture, Picture, and appearing as Purple Panda.

36. Rogers gave George Romero his first paying gig, too.

It's hard to imagine a gentle, soft-spoken, children's education advocate like Rogers sitting down to enjoy a gory, violent zombie movie like Night of the Living Dead, but it actually aligns perfectly with Rogers's brand of thoughtfulness. He checked out the horror flick to show his support for then-up-and-coming filmmaker George Romero, whose first paying job was with everyone's favorite neighbor.

“Fred was the first guy who trusted me enough to hire me to actually shoot film,” Romero said. As a young man just out of college, Romero honed his filmmaking skills making a series of short segments for Mister Rogers’ Neighborhood, creating a dozen or so titles such as “How Lightbulbs Are Made” and “Mr. Rogers Gets a Tonsillectomy.” The zombie king, who passed away in 2017, considered the latter his first big production, shot in a working hospital: “I still joke that 'Mr. Rogers Gets a Tonsillectomy' is the scariest film I’ve ever made."

37. Rogers paid a visit to Sesame Street in 1981.

Though Mister Rogers’ Neighborhood and Sesame Street were both PBS shows, they were technically competitors—though the show’s producers didn’t exactly act like it. As a result, Rogers made an appearance on Sesame Street in May 1981.

The video opens with Rogers wearing a suit and tie instead of his usual cardigan sweater. He's standing outside of a storefront when Big Bird approaches and asks if he’ll judge a race between him and Snuffy. (The theme of the segment was competition and, more importantly, maintaining friendships whether you win or lose.)

38. He made a guest appearance on Dr. Quinn Medicine Woman, too.

Rogers once played a pastor's mentor on Dr. Quinn Medicine Woman.

39. Many of the characters on Mister Rogers' Neighborhood were named after people in Rogers's life.

McFeely, for example, was Rogers's grandfather's name; Queen Sara was named for Rogers's wife.

40. Rogers got his own stamp in 2018.


USPS

In celebration of the 50th anniversary of Mister Rogers’ Neighborhood, the United States Postal Service issued a stamp with Rogers's image on it. On it, Rogers—decked out in one of his trademark colorful cardigans—smiles for the camera alongside King Friday XIII, ruler of the Neighborhood of Make-Believe.

41. He was turned into a Funko Pop!

Also in honor of Mister Rogers’ Neighborhood 50th anniversary, the kindest soul to ever grace a television screen was honored with a series of Funko toys, including a Funko Pop! figure.

Ready to learn more about Fred Rogers? Watch the video below, where John Green brings you a whole pile of things you should know about everybody's favorite neighbor.

16 Movies That Almost Starred Al Pacino

Steve Wood/Getty Images
Steve Wood/Getty Images

Though he’s often been called one of the greatest actors of his generation, Al Pacino will no doubt be remembered as one of the greatest actors of all time. After making his movie debut opposite Patty Duke in 1969’s Me, Natalie, Pacino would go on to become one of the most seminal figures in the “New Hollywood” movement of the 1970s (the pre-blockbuster era in which the counterculture became the mainstream) with starring roles in The Godfather trilogy, Scarecrow, Serpico, Dog Day Afternoon, Bobby Deerfield, and …And Justice for All.

Though he’s racked up more than 50 credits in his 50-year career, Pacino has also turned down plenty of roles (including several in truly great movies). When asked about his track record for saying no in 2013, Pacino explained, “I’m not a very good judge of what’s good.” Here are 16 roles that could have been.

1. The Gang That Couldn't Shoot Straight (1971)

Super-producer Robert Evans needed to call in a lot of favors to get Pacino out of the commitment he had made to playing Mario in James Goldstone’s Mafia comedy. The reason for the change of heart? Two days after agreeing to the part, he was offered the role of Michael Corleone. Eventually, Robert De Niro played the part that was meant for Pacino.

2. Lenny (1974)

In 2010, Pacino told Larry King that turning down the title role in Bob Fosse’s Lenny Bruce biopic is one of his biggest regrets. Though he didn’t originally think it was for him, after seeing a comic perform live, “I suddenly saw what I would want to do with this part.” At that point, it was too late—though Pacino calls Dustin Hoffman’s Oscar-nominated performance in the part “amazing.”

3. Star Wars (1977)

For years, rumors have swirled about the many actors who turned down the role of Han Solo, opening the path for Harrison Ford to make it his own. In 2013, Pacino spoke out on why he passed on the part, telling a crowd during a Q&A, “Star Wars was mine for the taking but I didn’t understand the script.”

4. Close Encounters of the Third Kind (1977)

Speaking of classic sci-fi flicks that Pacino declined, Steven Spielberg had a host of actors on his wish list before offering the role to Richard Dreyfuss—Steve McQueen, Dustin Hoffman, Jack Nicholson, Gene Hackman, James Caan, and Pacino among them.

5. Slap Shot (1977)

In Al Pacino, journalist Lawrence Grobel’s extended interview-turned-semi-autobiography of the actor, Pacino cites Slap Shot as a movie he still wishes he had been able to make. “But because George Roy Hill was doing it, I couldn’t do it,” he explained.

“I should have made that movie. That was my kind of character—the hockey player. Paul Newman is a great actor, it’s not a matter of that. I read that script and passed it on to George Roy Hill that I wanted to talk to him about it, and all he said was, ‘Can he ice skate?’ That’s all he was interested in, whether I could ice skate or not. That was a certain kind of comment. He didn’t want to talk about anything else. It was like he was saying, 'What the hell, it could work with anybody.’ The way in which he responded said to me he wasn’t interested.”

6. Days of Heaven (1978)

In Grobel’s book, Pacino cites Days of Heaven as one of the roles that he was truly conflicted over, saying, “I love Terrence Malick, and I love the picture.” According to Peter Biskind’s Easy Riders, Raging Bulls, Dustin Hoffman also turned down the lead, which eventually became a breakthrough role for Richard Gere.

7. Coming Home (1978)

Alongside Days of Heaven, Pacino also told Grobel that saying no to the lead role in Coming Home (the role that won Jon Voight an Oscar) was a tough call. But he had his reasons. “I was hoping to make Born on the Fourth of July at that time,” he said. “It was too close.”

8. Born on the Fourth of July (1989)

Do the math and it’s pretty obvious that the version of Born on the Fourth of July that Pacino was hoping to make back in the late 1970s was a bit different from the late 1980s film that earned Tom Cruise his first Oscar nomination. Yes, Oliver Stone was still involved, but only as the screenwriter. William Friedkin was set to direct, but when he dropped out, Pacino wanted out, too. “I had an interest in making it with Billy,” Pacino says in Al Pacino. “So, suddenly, Friedkin is out of the picture—now what? I wasn’t going to make that movie.”

9. Kramer vs. Kramer (1979)

Pacino didn’t even have to read the script for Robert Benton’s Oscar-winning divorce drama to know it wasn’t right for him. “There were times in my life when I didn’t even read what was being offered me,” he told Grobel. “Sometimes I can smell something that’s not right for me … I had a feeling it was not for me … I didn’t feel, at this point, it would be useful.” (Dustin Hoffman won his first Oscar playing the role of Ted Kramer.)

10. Apocalypse Now (1979)

After two successful Godfather go-arounds with Francis Ford Coppola, Pacino knew enough about the director’s work habits to know that he would not be a good fit to play Willard (Martin Sheen’s part) in Apocalypse Now. “I know what this is going to be like,” Pacino told Coppola. “You're going to be up there in a helicopter telling me what to do, and I'm gonna be down there in a swamp for five months.” Pacino balked at the idea of five months of shooting, but the film actually took 16 months to be completed.

11. First Blood (1982)

Based on David Morrell’s 1972 book, and optioned quickly, First Blood is one of those movies that had a number of director-star configurations attached before finally making it into production. Martin Ritt wanted Paul Newman to do it, Sydney Pollack wanted Steve McQueen, and by 1975, Martin Bregman was attached with Pacino to star as John Rambo, when it was a much different movie. “People would have understood the character, but they wouldn’t have had empathy,” original screenwriter David Rabe explained in Douglas Robinson’s book, No Less a Man: Masculist Art in a Feminist Age. “There is a kind of violence that excites an audience and makes them feel that it’s a lot of fun. Mine was not.” Many sources say that Pacino eventually opted out because he wanted Rambo to be more of a "madman."

12. Beverly Hills Cop (1984)

Before it became a showcase for the comedic stylings of Eddie Murphy, Beverly Hills Cop was a much edgier crime thriller that at different times was offered to Martin Scorsese and David Cronenberg to direct. Plenty of big-name actors besides Pacino turned down the role of Axel Foley, too (Mickey Rourke, Sylvester Stallone, and James Caan apparently among them).

13. Die Hard (1988)

During a freewheeling crowd Q&A in 2013, when confronted with the list of major movies that he turned down, Pacino had only this to say about Bruce Willis’ iconic role in Die Hard: “I gave that boy a career.”

14. Johnny Handsome (1989)

Though Pacino would later go on to work with director Harold Becker in Sea of Love and City Hall, in Grobel’s book, the actor explains that he first met Becker while they were developing Johnny Handsome:

“Harold and I were trying to find a third act, and we couldn’t. The first half of that movie is great. That was my favorite role ever in movies. I loved the whole idea of someone who’s been grotesque-looking and has made a life having to cope with that kind of deformity, to then have it lifted from him, and to have to cope with the world now … I loved the role. Loved it. But once again, one of those roles that just go down the drain if they couldn’t fix the last act. Mickey Rourke did a great job on it, but that didn’t matter; the movie didn’t have the finish.”

15. Snake Eyes (1998)

In 1997, Pacino was set to re-team yet again with his Scarface and Carlito’s Way director Brian De Palma on the Nicolas Cage film Snake Eyes. Until he wasn't. On July 11, 1997, Variety reported that, “After months of talks between filmmaker Brian De Palma, Paramount execs, and Al Pacino about starring opposite Nicolas Cage in Snake Eyes, Pacino officially has passed. The studio now is eyeing a handful of other actors, including Gary Sinise, to star the action thriller written by David Koepp.” (Sinise did take the part.)

16. Pretty Woman (1990)

Before you try and picture Pacino in the role made famous by Richard Gere, it’s key to remember that Pretty Woman was originally a much darker tale. Still, in 2010, Pacino explained to Larry King that, “Sometimes it's just not the right role for you and you don't feel you belong in that part.”

13 For Sure Facts About Valley Girl

Deborah Foreman and Nicolas Cage are, like, totally bitchin' in Valley Girl (1983).
Deborah Foreman and Nicolas Cage are, like, totally bitchin' in Valley Girl (1983).
Shout! Factory

You can thank the hit 1983 movie Valley Girl for mainstreaming phrases like “for sure” and “gag me.” Valspeak had been around since before the film, which grossed $17.3 million against a $600,000 budget, but the movie helped depict “Valley Girls” in a more positive light. The movie stars Deborah Foreman as a Valley Girl named Julie, who falls in love with a Hollywood punk named Randy (Nicolas Cage), despite the disapproval of their friends.

The film marked Cage’s first major role, and his quirkiness was evident from the get-go (more on that later). Directed by Martha Coolidge (who was paid just $5000 for the gig), Valley Girl endures as both a timeless teen rom-com and a great all-around film—and is about to get a musical reboot. Here are 13 tubular facts about the original movie.

1. Valley Girl is based on Romeo and Juliet.

It’s not a coincidence that Valley Girl's star-crossed lovers are named Randy and Julie, nor is it accidental that they share a kiss in front of a movie theater marquee for Romeo and Juliet. “Yes, it was intentional, and it was a love story,” Martha Coolidge told the Kickin’ It Old School blog. “So I worked to bring it even more out front. I created a Valley look and a Hollywood look. This heightened the stakes for Randy and Julie, just as the differences between the families did in Romeo and Juliet. The parallels were always meant to be fun and not super serious but were based on truthful observations about the local conflicts and real teen pressures. It’s not about marriage, but about love and growing up and differentiating enough to love.”

In the first version of the script, written by Andrew Lane and Wayne Crawford, a falling-in-love scene and a break-up scene were left out, so Coolidge worked with the writers to add those in.

2. Valley Girl is named after a Frank Zappa song, but he didn't want it associated with the movie.

A year before Valley Girl was released in theaters, Frank Zappa and his daughter Moon Unit had an unexpected hit song with “Valley Girl,” in which Moon exaggerates Valspeak over her dad’s music. In an interview, Zappa said, “I don’t want people to act like that. I think Valley Girls are disgusting.”

In a 1982 interview with Billboard, Zappa again expressed his distaste: “People think that ‘Valley Girl’ is a happy kind of song, but it isn’t. I’ve always hated the San Fernando Valley. It’s a most depressing place.” At the time, he said he was open to collaborating on a script about the song as long as the movie wouldn’t be like Beach Blanket Bingo. But when the movie went into production, Zappa asked a judge to halt production of it because it infringed on the song’s copyright, and filed a suit for $100,000 in punitive damages.

3. Martha Coolidge hired Nicolas Cage for the lead without realizing he was a Coppola.

Nicolas Cage in Valley Girl (1983)
Nicolas Cage in Valley Girl (1983).
Shout! Factory

Before Valley Girl came to be, Coolidge had developed a script at Francis Ford Coppola’s American Zoetrope, but the project never came to fruition. When she signed on to direct Valley Girl, she was desperate to find a leading actor who wasn’t a “pretty boy.” “We saw everybody from that generation,” Coolidge said at a 2011 screening of Valley Girl, moderated by Kevin Smith. “All those Brat Packers or whatever, they came and I rejected all of them. I almost cast Judd Nelson, and he was tied up, which was probably lucky for me.” During the casting process, she walked over to a pile of headshots and came across one titled “Nicolas Cage,” and after seeing his audition, she decided she wanted him for Randy.

Cage told her he couldn’t do the part, because he was committed to acting in Coppola’s Rumblefish. Coolidge didn’t realize Francis was Cage’s uncle until she called the production company to resolve the conflict, and was told that Nic’s actual surname was Coppola.

4. Martha Coolidge (unsuccessfully) fought to make the cast more diverse.

“I wanted one of the four girls to be black, but [the studio] refused,” Coolidge said at a screening of Valley Girl, discussing the lack of diversity in the cast. “I just did the best I could under the circumstances.”

5. In order to get into character, Nicolas Cage lived in his car while filming Valley Girl.

To get into character, Cage lived in his car while shooting the movie. “I remember chastising him about the danger of living in his car in Hollywood, and how we couldn’t call him,” Coolidge told Kickin’ It Old School. “He said he’d use pay phones—we didn’t have cell phones then! Later, during Birdy, he lived with bandages around his head, which made it difficult for him to eat, so maybe we were lucky.”

6. Nicolas Cage and Deborah Foreman had palpable chemistry.

Nicolas Cage and Deborah Foreman in Valley Girl (1983)
Nicolas Cage and Deborah Foreman in Valley Girl (1983).
Shout! Factory

“I loved [Cage’s] eyes, and I thought he had great energy,” Foreman told the Tampa Bay Times of her co-star. “I thought he was scary to me. Emotionally, I was feeling stuff inside. He was triggering stuff in me that I had never experienced in my life. I didn’t even have a boyfriend prior to that movie … I had strong feelings for Nic. When the film ended, we had a conversation. I actually went up to San Francisco with him for a weekend. When we came back, an ultimatum was made—let’s just put it that way. And I decided not to go with the ultimatum, and we were never together after that.”

For Foreman, the break-up scene in the movie was difficult. “I think deep down, I didn’t want to be breaking up with him! And I didn’t even want to go there, to predestine myself,” she said. “I was really resisting the whole experience. It was uncomfortable beyond means. That was the longest we spent on any scene. It was a struggle. Even when I watch it now, I go, ‘Wow, that's so uncomfortable.’”

7. Elizabeth "E.G." Daily wasn't a Valley Girl in real life.

Elizabeth Daily’s character, Loryn, didn’t have a Valley Girl accent, and that was on purpose. “I didn’t really know the Valley Girl thing that much, so I pretended my character was actually from Malibu,” she said. “I was such a rocker from the [Sunset] Strip that I didn’t really know the Valley Girl thing, but I think it was kind of accurate, actually. There are people that actually talk like that from the Valley. It’s pretty funny.”

If Daily’s non-Valley Girl voice sounds familiar, it’s because she has since moved on to a successful voice acting career, doing the voice of The Rugrats’ Tommy Pickles, as well as work on The Powerpuff Girls, Happy Feet, and Wreck-It Ralph; in 2013 she auditioned for The Voice.

8. Nicolas Cage was so hairy, he had to shave his chest.

For an 18-year-old, Cage was quite hirsute, so Coolidge asked him to shave his chest to look younger. “There was an artistic bent to it, for his character,” Foreman told the Yo Show. “He looked more mature with all that hair that he had. They found a middle ground for it.” Cage shaved his hair into a V-like shape, which can be seen in the beach scene above.

9. The Valley Girl soundtrack got pulled at the last minute.

One of the things Valley Girl is known for is its excellent New Wave soundtrack, featuring Modern English’s “I Melt With You,” the Plimsouls, and an array of other ’80s songs. Though it was a shoestring budget film, $250,000 of that budget went toward music clearance rights. A Clash song plays in an earlier print but it got switched to a Men at Work song later, and the studio refused to redo the print to bring the credits up to date “They didn’t care if the credits were correct, they just didn’t want to spend that large amount of money,” Coolidge told Kickin’ It Old School. “So CBS pulled the soundtrack album at the last minute. The film was released with the new songs in it and some of the music credits were completely wrong.” A mini-album was released, but it wasn’t until 1994 that Rhino Records released a full soundtrack.

10. The Los Angeles band X was supposed to be in the movie instead of The Plimsouls.

During a scene at Club Central, the live band playing in the background is The Plimsouls, who contributed their hit “A Million Miles Away” to the soundtrack. But during the Kevin Smith screening, Coolidge revealed that she originally tapped the band X to be in the scene. “It was going to be X, and we were in talks. It was very serious and then all of a sudden they kind of freaked out and they said, ‘You know what? We don’t want to alienate our Valley fans,’ and they passed.”

11. Martha Coolidge was given artistic freedom on Valley Girl ... as long as she made sure there was some nudity.

Atlantic Releasing distributed the movie, and they wanted it to appeal to men, which meant that they wanted it to include some nudity, so Coolidge agreed to include a few boob shots. “They said they didn’t care how it was done, they ‘just wanted to see them.’ We shook hands on it,” Coolidge told Kickin’ It Old School. “They considered the film an ‘exploitation genre film’ meant for guys. The real success happened when we showed them the finished film. They jumped up and gasped, ‘It’s a real movie!’ They no longer obsessed about how many times they saw naked breasts in the film, which was barely three, and one frame of a fourth … When the studio saw it, they knew it was better to have a good, real film than a mediocre exploitation film. It put them on the map.”

12. Deborah Foreman isn't on the Valley Girl poster, possibly due to financial reasons.

The artwork for the poster features Nic Cage standing next to a woman who is not only not Deborah Foreman, but a woman who does not appear in the movie at all. “Deborah had worked in the business and she was pretty strict about being paid,” Coolidge told Kickin’ It Old School. “When the company needed the actors to be ‘generous with them’ about hours or rules, Deborah was not as forgiving as some of the others. When the poster came up for whatever reason—and it may have been simply that she wanted to be paid—the company brought in a model rather than Deborah. I was shocked and thought it was petty and a really bad idea. But there was nothing I could do about it.”

In a 2013 interview with the Yo Show, Foreman simply said, “If I was the producer I would never have let that happen. I don’t know the facts on it.”

13. A musical remake of Valley Girl has been in the works for years, and is finally being released in May 2020.

Since 2009, a musical film version of Valley Girl has been talked about. First, Jason Moore was attached to direct, but in 2012 Clay Weiner came aboard to direct the Paramount/MGM movie. According to an article in Deadline at the time, “In the musical, the actors will sing ’80s New Wave tunes from bands like The Go-Go’s and The Cars.” Finally, the film has a release date: May 8, 2020—now with Emmy Award-winning director Rachel Lee Goldenberg at the helm.

This story has been updated for 2020.

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