8 Facts About Shel Silverstein

Shel Silverstein was a multi-talented children’s author, comic artist, poet, playwright, and songwriter, and above all else, a rule-breaker. From The Giving Tree to Where the Sidewalk Ends, his titles are beloved by children and adults alike. At the time they were written, though, they defied common notions about what a "children’s" story could and should be. This isn’t all that surprising, considering that the Chicago-born author, who passed away in 1999, led a pretty unconventional life. Here are eight things you might not know about him.

1. One of Shel Silverstein's first jobs was selling hot dogs in Chicago.

Shel Silverstein didn’t always want to be a writer, or even a cartoonist or songwriter. His first love was baseball. "When I was a kid—12, 14, around there—I would much rather have been a good baseball player or a hit with the girls," he once said in an interview. "But I couldn’t play ball, I couldn’t dance. Luckily, the girls didn’t want me; not much I could do about that. So I started to draw and to write.” The closest he came to his MLB dream was when he landed a stint at Chicago’s Comiskey Park, selling hot dogs to White Sox fans.

2. Silverstein never finished college.

Silverstein was expelled from one school (the University of Illinois) and dropped out of another (the School of the Art Institute of Chicago). Finally, he managed to get through three years of the English program at Chicago's Roosevelt University, but his studies came to an abrupt end when he was drafted in 1953.

3. Silverstein was a Korean War veteran.

In the 1950s, Silverstein was drafted into the U.S. armed service. While he was stationed in Korea and Japan, he also worked as a cartoonist for the military publication Stars and Stripes. It was his first big cartooning gig. "For a guy of my age and with my limited experience to suddenly have to turn out cartoons on a day-to-day deadline deadline, the job was enormous,'' Silverstein told Stars and Stripes in a 1969 interview.

4. Silverstein worked for Playboy magazine and was Part of Hugh Hefner's inner circle.

That’s right: the lovable children’s author was on Playboy’s payroll for many years. He started drawing comics for the men’s magazine in the 1950s and ended up becoming close friends with Hugh Hefner. In fact, he often spent weeks or even months at the Playboy Mansion, where he wrote some of his books. His cartoons for the magazine proved so popular that Playboy sent him around the world to find the humor in places like London, Paris, North Africa, and Moscow during the Cold War. Perhaps his most off-color assignment, though, was visiting a nudist camp in New Jersey. These drawings were compiled in the 2007 book Playboy's Silverstein Around the World, which includes a foreword from Hefner.

5. Silverstein wrote Johnny Cash's hit song "A Boy Named Sue."

Few people know that Silverstein was a songwriter, too. One of his biggest hits was the comical tale of a boy who learned how to defend himself after being relentlessly bullied for his feminine-sounding name, Sue. The song was popularized by Johnny Cash and ended up being his top-selling single, while Silverstein was awarded a Grammy for Best Country Song. You can watch Silverstein strumming the guitar and shouting the lyrics alongside Cash on The Johnny Cash Show in the video above. Silverstein also wrote a follow-up song from the dad’s point of view, The Father of a Boy Named Sue, but it didn't take off the way the original did.

6. Silverstein is in the Nashville Songwriters Hall of Fame.

Three years after his death, Silverstein was inducted posthumously into this exclusive society of songwriters. He wrote more than 800 songs throughout his career, some of which were quite raunchy. But his best-known songs were performed by country legends like Loretta Lynn and Waylon Jennings. “His compositions were instantly identifiable, filled with elevated wordplay and captivating, humor-filled narratives,” the Nashville Songwriters Foundation said of Silverstein's music.

7. Silverstein wrote the first children’s book to appear on The New York Times best sellerS list.

A Light in the Attic (1981) was the first children’s book to ever make it onto the prestigious New York Times Best Sellers list. It remained there for a whopping 182 weeks, breaking all of the previous records for hardcover books at that time.

8. Silverstein wasn't a fan of happy endings.

If you couldn’t already tell by The Giving Tree’s sad conclusion, Silverstein didn’t believe in giving his stories happy endings. He felt that doing so would alienate his young readers. "The child asks why I don't have this happiness thing you're telling me about, and comes to think when his joy stops that he has failed, that it won't come back,” the author said in a 1978 interview. This turned out to be a risky move, and The Giving Tree was rejected several times for being too sad or too unconventional. Fortunately, after four years of searching for a publisher, it found a home at HarperCollins (then Harper & Row) and has gone on to become one of the best-selling—and most beloved—children's books of all time.

14 Surprising Facts About William Shakespeare

Hulton Archive, Getty Images
Hulton Archive, Getty Images

Despite his many contributions to English literature, surprisingly little is known about William Shakespeare’s life. For the past four centuries, historians have had the difficult task of piecing together the Bard's biography with only a handful of old legal documents. Here's what we do know about the celebrated actor, poet, and playwright.

1. william Shakespeare's writing was likely influenced by his father's legal troubles.

When Shakespeare was about 5 years old, his father, John—a glovemaker—was accused of illegal money-lending and wool-dealing by Crown informers. The ordeal plunged the elder Shakespeare into legal troubles that would plague him for the next decade. "William grew to adulthood in a household where his father had fallen in social and economic rank," historian Glyn Parry told The Guardian . Parry argued that the experience likely shaped Shakespeare's attitudes toward power, class, and the monarchy—major themes in his future works.

2. William Shakespeare got married because of an unexpected pregnancy.

Shakespeare was 18 when he learned that Anne Hathaway, 26, was pregnant with his first child. The couple quickly decided to marry in November 1582 and greeted daughter Susanna in May 1583. Two years later, they had twins Judith and Hamnet. Unfortunately, Shakespeare has no living direct descendants: Hamnet died at age 11, probably a victim of some disease; Judith outlived her three children; and Susanna had one daughter, Elizabeth, who was childless.

3. Nobody knows what William Shakespeare did between 1585 and 1592.

It may be no surprise that the author of Romeo and Juliet had a penchant for bringing lovers together: He once helped arrange the marriage of his landlord's daughter. The only reason we know this, however, is because the marriage had a rocky start. When a dispute over the dowry boiled over, Shakespeare had to go to court to act as a character witness for his landlord, whom he called a "very honest fellow." The transcript is the only record of Shakespeare speaking.

4. William Shakespeare was, first and foremost, an actor.

An engraving of Shakespeare by E Scriven, after Humphrey's drawing known as the 'Chandos portrait,' circa 1590.
An engraving of Shakespeare by E Scriven, after Humphrey's drawing known as the 'Chandos portrait,' circa 1590.
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Shakespeare became an actor at a time when the job was considered downright unsavory. "[A]ctors were already marked as undesirables by England's vagrancy laws, which mandated that traveling troupes had to find aristocratic patronage," John Paul Rollert wrote in The Atlantic . "Rogue players ran the risk of being flogged, branded, and finally hanged." Little is known of Shakespeare's acting chops, but it's believed Shakespeare favored playing " kingly parts ," including the ghost in his own Hamlet .

5. William Shakespeare may have participated in organized crime.

In the 1590s, many of London's theaters operated as shady fronts for organized crime. (The Lord Mayor of London decried the theater—and specifically plans for the new Swan Theatre, where Shakespeare may have briefly worked—as a meeting spot for "thieves, horse-stealers, whoremongers, cozeners, conny-catching persons, practisers of treason, and such other like.") In 1596, Swan Theater owner Francis Langley accused William Gardiner and his stepson William Wayte of making death threats. Soon after, Wayte retaliated with the same accusations against Langley and—for some reason—William Shakespeare. This has led historian Mike Dash to suggest that Shakespeare may have been involved in some unspoken criminal activity.

6. William Shakespeare was a matchmaker (and a marital peace-maker).

After the birth of his twins, Shakespeare fell off the map for seven years. One unsubstantiated theory (and there are many) suggests that he supported his family by working as a lawyer or legal clerk. Indeed, Shakespeare's plays show an impressive grasp of legal knowledge. "No dramatist of the time … used legal phrases with Shakespeare's readiness and exactness," wrote 19th-century literary critic Richard Grant White. (High praise considering that Shakespeare once wrote , "Let's kill all the lawyers.")

7. The first printed reference to William Shakespeare as a playwright was an insult.

The first mention of William Shakespeare as a playwright appeared in 1592, when the dramatist Robert Greene (or possibly Henry Chettle) called him an "upstart Crow [who] … supposes he is as well able to bombast out a blank verse as the best of you." (In other words: A jack-of-all-trades, and a master of none.) Future reviewers would offer kinder words; in 1598, the critic Francis Meres called him "mellifluous and honey-tongued."

8. William Shakespeare likely helped steal a theater, piece by piece.

In 1596, the Theatre in Shoreditch—where Shakespeare cut his teeth as an actor—went dark. The lease for the property on which it was built had expired, and Shakespeare's acting troupe, the Lord Chamberlain's Men, were forced to take their show elsewhere. Two years later, the former owners hatched a crazy plan to take their playhouse back. One winter night in 1598, a group armed themselves with swords and axes , snuck into the theater, and began dismantling the playhouse piece by piece—although it would take more than one night to demolish it. While there's no evidence that Shakespeare joined the crew, he certainly knew about the raid. Eventually, parts of the playhouse would go into the construction of a new theater just south of the River Thames. Its new name? The Globe.

9. Only one handwritten script of William Shakespeare's exists.

Five examples of the autograph of English playwright William Shakespeare, circa 1610.
Five examples of the autograph of William Shakespeare, circa 1610.
Hulton Archive, Getty Images

Anyone interested in studying the Bard's cramped handwriting has only one reliable place to look—the original draft of the Book of Sir Thomas More , a politically-charged play that targeted, in-part, xenophobia in England. Written mainly by dramatist Anthony Munday, the play was completed with the help of four fellow playwrights. One of them, presumed to be Shakespeare, helped write a stirring monologue in which the lead character asks an anti-immigrant mob to imagine themselves as refugees.

Say now the king …
Should so much come too short of your great trespass
As but to banish you, whither would you go?
What country, by the nature of your error,
Should give you harbour?

The play, by the way, would not be performed. Censors believed it could start a riot.

10. William Shakespeare may have been a tax cheat.

In the late 16th century, English residents had to pay a tax on personal wealth called a lay subsidy . In 1597, Shakespeare was supposed to pay a tax of five shillings. The following year, he was supposed to pay a larger tax of 13 shillings and 4 pence. Documents show that the Bard never paid the piper. (His reasons are a matter of speculation, but it could have been a clerical error because he'd already moved away from the parish.)

11. William Shakespeare was a grain hoarder.

According to the UK Parliament, between 1604 and 1914 over 5200 enclosure bills were enacted, which restricted the use of vital, publicly-used farmland. Ensuing riots in 1607, called the Midland Revolts, coincided with a period of devastating food shortages. It appears that Shakespeare responded to the situation by hoarding grain. According to the Los Angeles Times , he "purchased and stored grain, malt and barley for resale at inflated prices to his neighbors and local tradesmen."

12. The Globe Theatre burned down during a performance of one of William Shakespeare's plays.

An 1647 engraving by Hollar of Shakespeare's Globe theatre.
An 1647 engraving by Hollar of Shakespeare's Globe Theatre.
Rischgitz, Getty Images

On June 29, 1613, a prop cannon caused a fire at the Globe Theatre during a performance of Henry VIII . Sparks landed on the thatched roof and flames quickly spread. "It kindled inwardly, and ran round like a train, consuming within less than an hour the whole house to the very ground," a witness Sir Henry Wotton claimed . According to The Telegraph , "the only reported injury was a man whose flaming breeches were eventually put out using a handy bottle of ale."

13. William Shakespeare laid a curse upon his own grave.

When Shakespeare died in 1616, grave-robbing was extremely common. To ensure he'd rest through eternity peacefully, the Bard is believed to have penned this curse , which appears on his gravestone.

Good frend for Jesus sake forbeare,
To digg the dust Encloased heare:
Bleste be [the] man [that] spares these stones,
And curst be he [that] moves my bones.

Unfortunately, somebody apparently ignored the dead man's foreboding words. In 2016, researchers scanned the grave with ground-penetrating radar and discovered that grave robbers might have stolen Shakespeare's skull.

14. William Shakespeare's legacy lived on thanks to two fellow actors.

The cover of a 1623 collection of Shakespeare's works.
Rischgitz, Getty Images

Shortly after Shakespeare died, two of his longtime friends and colleagues— John Heminge and Henry Condell —edited Shakespeare's plays and collected them in a 1623 book titled Mr. William Shakespeares Comedies, Histories, & Tragedies . That same book, now called the First Folio, helped preserve Shakespeare's work for the coming generations and is widely considered one of the most significant books printed in English.

21 Phrases You Use Without Realizing You're Quoting William Shakespeare

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CSA-Printstock/iStock via Getty Images

William Shakespeare devised new words and countless plot tropes that still appear in everyday life. Famous quotes from his plays are easily recognizable; phrases like "To be or not to be," "wherefore art thou, Romeo," and "et tu, Brute?" instantly evoke images of wooden stages and Elizabethan costumes. But an incredible number of lines from his plays have become so ingrained into modern vernacular that we no longer recognize them as lines from plays at all. Here are 21 phrases you use but may not have known came from the Bard of Avon.

1. "WILD GOOSE CHASE" // ROMEO AND JULIET, ACT II, SCENE IV

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"Nay, if our wits run the wild-goose chase, I am done, for thou hast more of the wild-goose in one of thy wits than, I am sure, I have in my whole five. Was I with you there for the goose?" — Mercutio

This term didn't originally refer to actual geese, but rather a type of horse race.

2. "GREEN-EYED MONSTER" // OTHELLO, ACT III, SCENE III

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"O, beware, my lord, of jealousy! It is the green-eyed monster, which doth mock the meat it feeds on." — Iago

Before Shakespeare, the color green was most commonly associated with illness. Shakespeare turned the notion of being sick with jealousy into a metaphor that we still use today.

3. "PURE AS THE DRIVEN SNOW" // HAMLET, ACT III, SCENE I AND THE WINTER'S TALE, ACT IV, SCENE IV

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"Be thou as chaste as ice, as pure as snow, thou shalt not escape calumny. Get thee to a nunnery, go." — Hamlet

"Lawn as white as driven snow." — Autolycus

Though Shakespeare never actually used the full phrase "pure as the driven snow," both parts of it appear in his work. For the record, this simile works best right after the snow falls, and not a few hours later when tires and footprints turn it into brown slush.

4. "SEEN BETTER DAYS" // AS YOU LIKE IT, ACT II, SCENE VII

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"True is it that we have seen better days and have with holy bell been knolled to church, and sat at good men's feasts and wiped our eyes of drops that sacred pity hath engendered." — Duke Senior

The first recorded use of "seen better days" actually appeared in Sir Thomas More in 1590, but the play was written anonymously, and is often at least partially attributed to Shakespeare. We do know Shakespeare was a fan of the phrase; he uses "seen better days" in As You Like It, and then again in Timon of Athens.

5. "OFF WITH HIS HEAD" // RICHARD III, ACT III, SCENE IV

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"If? Thou protector of this damnèd strumpet, talk'st thou to me of "ifs"? Thou art a traitor—Off with his head." — Richard III

The Queen of Hearts in Alice in Wonderland wasn't the first monarch with a penchant for liberating heads from bodies. Her famous catchphrase came from Shakespeare first.

6. "FOREVER AND A DAY" // AS YOU LIKE IT, ACT IV, SCENE I

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"Now tell me how long you would have her after you have possessed her." — Rosalind

"Forever and a day" — Orlando

We have the Bard to thank for this perfect fodder for Valentine's Day cards and middle school students' love songs.

7. "GOOD RIDDANCE" // TROILUS AND CRESSIDA, ACT II, SCENE I

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[Thersites exits]

"A good riddance." — Patroclus

Where would Green Day be without Shakespeare’s riposte? In addition to acoustic ballad titles, "good riddance" also applies well to exes, house pests (both human and insect), and in-laws.

8. "FAIR PLAY" // THE TEMPEST, ACT V, SCENE I

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"Yes, for a score of kingdoms you should wrangle, and I would call it fair play." — Miranda

Prospero's daughter never would have been able to predict that "fair play" is used more often now in sports than it is for the negotiation of kingdoms.

9. "LIE LOW" // MUCH ADO ABOUT NOTHING, ACT V, SCENE I

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"If he could right himself with quarreling, some of us would lie low." — Antonio

Shakespeare's plays contain brilliant wisdom that still applies today. In "lie low," he concocted the perfect two-word PR advice for every celebrity embroiled in a scandal.

10. "IT'S GREEK TO ME" // JULIUS CAESAR, ACT I, SCENE II

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"Nay, an I tell you that, Ill ne'er look you i' the face again: but those that understood him smiled at one another and shook their heads; but, for mine own part, it was Greek to me." — Casca

"It's all Greek to me” might possibly be the most intelligent way of telling someone that you have absolutely no idea what's going on.

11. "AS GOOD LUCK WOULD HAVE IT" // THE MERRY WIVES OF WINDSOR, ACT III, SCENE V

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“As good luck would have it, comes in one Mistress Page; gives intelligence of Ford's approach; and, in her invention and Ford's wife's distraction, they conveyed me into a buck-basket.” — Falstaff

Determining whether a Shakespeare play is a comedy or a tragedy can largely be boiled down to whether good luck would have anything for the characters.

12. "YOU'VE GOT TO BE CRUEL TO BE KIND" // HAMLET, ACT III, SCENE IV

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"So, again, good night. I must be cruel only to be kind. Thus bad begins and worse remains behind." — Hamlet

Here’s an idiom that proves just because a character in a Shakespeare play said it doesn't necessarily mean it's always true. Hamlet probably isn't the best role model, especially given the whole accidentally-stabbing-someone-behind-a-curtain thing.

13. "LOVE IS BLIND" // THE MERCHANT OF VENICE, ACT II, SCENE VI

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"But love is blind, and lovers cannot see the pretty follies that themselves commit, for if they could Cupid himself would blush to see me thus transformèd to a boy." — Jessica

Chaucer actually wrote the phrase ("For loue is blynd alday and may nat see") in The Merchant’s Tale in 1405, but it didn't become popular and wasn't seen in print again until Shakespeare wrote it down. Now, "love is blind" serves as the three-word explanation for any seemingly unlikely couple.

14. "BE-ALL, END-ALL" // MACBETH, ACT I, SCENE VII

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"If the assassination could trammel up the consequence, and catch with his surcease success; that but this blow might be the be-all and the end-all here, but here, upon this bank and shoal of time, we’d jump the life to come." — Macbeth

Macbeth uses the phrase just as he’s thinking about assassinating King Duncan and, ironically, as anyone who's familiar with the play knows, the assassination doesn't turn out to be the "end all" after all.

15. "BREAK THE ICE" // THE TAMING OF THE SHREW, ACT I, SCENE II

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"If it be so, sir, that you are the man must stead us all, and me amongst the rest, and if you break the ice and do this feat, achieve the elder, set the younger free for our access, whose hap shall be to have her will not so graceless be to be ingrate." — Tranio (as Lucentio)

If you want to really break the ice, the phrase appears to have come from Thomas North, whose translation of Plutarch's Lives of the Noble Grecians and Romans provided much of the inspiration for Shakespeare's ancient word plays. This is a great meta "did you know" fact for getting to know someone at speed dating.

16. "HEART OF GOLD" // HENRY V, ACT IV, SCENE I

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"The king's a bawcock, and a heart of gold, a lad of life, an imp of fame, of parents good, of fist most valiant." — Pistol

Turns out, the phrase "heart of gold" existed before Douglas Adams used it as the name of the first spaceship to use the Infinite Improbability Drive in The Hitchhiker’s Guide to the Galaxy.

17. "KILL WITH KINDNESS" // THE TAMING OF THE SHREW, ACT IV, SCENE 1

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"This is a way to kill a wife with kindness, and thus I'll curb her mad and headstrong humor." — Petruchio

The Shakespeare canon would contain a lot fewer dead bodies if his characters all believed they should kill their enemies with kindness instead of knives and poison.

18. "KNOCK, KNOCK! WHO'S THERE?" // MACBETH, ACT II, SCENE III

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"Knock, knock! Who's there, in th' other devil’s name?" — Porter

Though high school students suffering through English class may disagree, Shakespeare was a master of humor in his works, writing both slapstick comedy and sophisticated wordplay. And, as the Porter scene in Macbeth illustrates, he's also the father of the knock-knock joke.

19. "LIVE LONG DAY" // JULIUS CAESAR, ACT I, SCENE I

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"To towers and windows, yea, to chimney tops, your infants in your arms, and there have sat the livelong day with patient expectation to see great Pompey pass the streets of Rome." — Mureless

Today, the phrase "live long day" is pretty much exclusively reserved for those who have been working on the railroad.

20. "YOU CAN HAVE TOO MUCH OF A GOOD THING" // AS YOU LIKE IT, ACT IV, SCENE I

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"Why then, can one desire too much of a good thing?— Come, sister, you shall be the priest and marry us.—Give me your hand, Orlando.—What do you say, sister?" — Rosalind

Modern readers often call Shakespeare a visionary, far ahead of his time. For example: he was able to write about desiring too much of a good thing 400 years before chocolate-hazelnut spread was widely available.

21. "THE GAME IS AFOOT" // HENRY V, ACT III, SCENE I

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"The game's afoot: follow your spirit, and upon this charge cry 'God for Harry, England, and Saint George!'" — King Henry V

Nope! It wasn't Sir Arthur Conan Doyle who coined this phrase—Sherlock Holmes' most famous catchphrase comes from Henry V, although both characters do often tend to find themselves around dead bodies.

This story has been updated for 2020.

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