Everything We Know About The Morning Show

Jennifer Aniston stars in The Morning Show.
Jennifer Aniston stars in The Morning Show.
Apple

In the wake of sexual harassment allegations being made against her co-host Mitch Kessler (Steve Carell), Jennifer Aniston’s Alex Levy fights to keep her morning show relevant, successful, and honest as she navigates conflicting motives from the producers, the public, and—above all—her scrappy new co-worker Bradley Jackson (Reese Witherspoon). Aniston and Witherspoon also serve as executive producers on the series.

Starring: Jennifer Aniston, Reese Witherspoon, Steve Carell, Billy Crudup, Mark Duplass, Gugu Mbatha-Raw

TV Facts

  • When Matt Lauer was fired from The Today Show in November 2017, the producers of The Morning Show scrapped their original script and started from scratch with new showrunner Kerry Ehrin in order to factor a sexual harassment angle into the story and make it more topical. (The previous writer, House of Cards’ Jay Carson, apparently left amicably.)
  • The series draws source material from CNN correspondent Brian Stelter’s book Top of the Morning: Inside the Cutthroat World of Morning TV, which reveals behind-the-scenes secrets of top programs like Good Morning America and The Today Show. Stelter is credited as a consulting writer.
  • Aniston and Witherspoon, who are both executive producing and starring in the series, have both signed on for two 10-episode seasons.
  • The Morning Show is not the first time Aniston and Witherspoon are sharing the small screen; Witherspoon previously guest-starred as Rachel Green’s sister Jill on Friends. According to Witherspoon, they’ve been friends ever since.
  • Real-life news anchors including Katie Couric, Robin Roberts, George Stephanopoulos, and Meredith Vieira shared insight and advice with the show’s stars to help them form their characters. Aniston also spent time with Diane Sawyer, who was one of her main character inspirations.
  • At this point, it’s unclear if the series will continue after Season 2. When asked in an interview if there’d be more, Aniston said “If there’s stuff to talk about and if we’re not dead tired from it.”

The first three episodes of The Morning Show will be available to stream on Apple TV+ beginning on November 1, 2019, with weekly episode releases after that.

16 Movies That Almost Starred Al Pacino

Steve Wood/Getty Images
Steve Wood/Getty Images

Though he’s often been called one of the greatest actors of his generation, Al Pacino will no doubt be remembered as one of the greatest actors of all time. After making his movie debut opposite Patty Duke in 1969’s Me, Natalie, Pacino would go on to become one of the most seminal figures in the “New Hollywood” movement of the 1970s (the pre-blockbuster era in which the counterculture became the mainstream) with starring roles in The Godfather trilogy, Scarecrow, Serpico, Dog Day Afternoon, Bobby Deerfield, and …And Justice for All.

Though he’s racked up more than 50 credits in his 50-year career, Pacino has also turned down plenty of roles (including several in truly great movies). When asked about his track record for saying no in 2013, Pacino explained, “I’m not a very good judge of what’s good.” Here are 16 roles that could have been.

1. The Gang That Couldn't Shoot Straight (1971)

Super-producer Robert Evans needed to call in a lot of favors to get Pacino out of the commitment he had made to playing Mario in James Goldstone’s Mafia comedy. The reason for the change of heart? Two days after agreeing to the part, he was offered the role of Michael Corleone. Eventually, Robert De Niro played the part that was meant for Pacino.

2. Lenny (1974)

In 2010, Pacino told Larry King that turning down the title role in Bob Fosse’s Lenny Bruce biopic is one of his biggest regrets. Though he didn’t originally think it was for him, after seeing a comic perform live, “I suddenly saw what I would want to do with this part.” At that point, it was too late—though Pacino calls Dustin Hoffman’s Oscar-nominated performance in the part “amazing.”

3. Star Wars (1977)

For years, rumors have swirled about the many actors who turned down the role of Han Solo, opening the path for Harrison Ford to make it his own. In 2013, Pacino spoke out on why he passed on the part, telling a crowd during a Q&A, “Star Wars was mine for the taking but I didn’t understand the script.”

4. Close Encounters of the Third Kind (1977)

Speaking of classic sci-fi flicks that Pacino declined, Steven Spielberg had a host of actors on his wish list before offering the role to Richard Dreyfuss—Steve McQueen, Dustin Hoffman, Jack Nicholson, Gene Hackman, James Caan, and Pacino among them.

5. Slap Shot (1977)

In Al Pacino, journalist Lawrence Grobel’s extended interview-turned-semi-autobiography of the actor, Pacino cites Slap Shot as a movie he still wishes he had been able to make. “But because George Roy Hill was doing it, I couldn’t do it,” he explained.

“I should have made that movie. That was my kind of character—the hockey player. Paul Newman is a great actor, it’s not a matter of that. I read that script and passed it on to George Roy Hill that I wanted to talk to him about it, and all he said was, ‘Can he ice skate?’ That’s all he was interested in, whether I could ice skate or not. That was a certain kind of comment. He didn’t want to talk about anything else. It was like he was saying, 'What the hell, it could work with anybody.’ The way in which he responded said to me he wasn’t interested.”

6. Days of Heaven (1978)

In Grobel’s book, Pacino cites Days of Heaven as one of the roles that he was truly conflicted over, saying, “I love Terrence Malick, and I love the picture.” According to Peter Biskind’s Easy Riders, Raging Bulls, Dustin Hoffman also turned down the lead, which eventually became a breakthrough role for Richard Gere.

7. Coming Home (1978)

Alongside Days of Heaven, Pacino also told Grobel that saying no to the lead role in Coming Home (the role that won Jon Voight an Oscar) was a tough call. But he had his reasons. “I was hoping to make Born on the Fourth of July at that time,” he said. “It was too close.”

8. Born on the Fourth of July (1989)

Do the math and it’s pretty obvious that the version of Born on the Fourth of July that Pacino was hoping to make back in the late 1970s was a bit different from the late 1980s film that earned Tom Cruise his first Oscar nomination. Yes, Oliver Stone was still involved, but only as the screenwriter. William Friedkin was set to direct, but when he dropped out, Pacino wanted out, too. “I had an interest in making it with Billy,” Pacino says in Al Pacino. “So, suddenly, Friedkin is out of the picture—now what? I wasn’t going to make that movie.”

9. Kramer vs. Kramer (1979)

Pacino didn’t even have to read the script for Robert Benton’s Oscar-winning divorce drama to know it wasn’t right for him. “There were times in my life when I didn’t even read what was being offered me,” he told Grobel. “Sometimes I can smell something that’s not right for me … I had a feeling it was not for me … I didn’t feel, at this point, it would be useful.” (Dustin Hoffman won his first Oscar playing the role of Ted Kramer.)

10. Apocalypse Now (1979)

After two successful Godfather go-arounds with Francis Ford Coppola, Pacino knew enough about the director’s work habits to know that he would not be a good fit to play Willard (Martin Sheen’s part) in Apocalypse Now. “I know what this is going to be like,” Pacino told Coppola. “You're going to be up there in a helicopter telling me what to do, and I'm gonna be down there in a swamp for five months.” Pacino balked at the idea of five months of shooting, but the film actually took 16 months to be completed.

11. First Blood (1982)

Based on David Morrell’s 1972 book, and optioned quickly, First Blood is one of those movies that had a number of director-star configurations attached before finally making it into production. Martin Ritt wanted Paul Newman to do it, Sydney Pollack wanted Steve McQueen, and by 1975, Martin Bregman was attached with Pacino to star as John Rambo, when it was a much different movie. “People would have understood the character, but they wouldn’t have had empathy,” original screenwriter David Rabe explained in Douglas Robinson’s book, No Less a Man: Masculist Art in a Feminist Age. “There is a kind of violence that excites an audience and makes them feel that it’s a lot of fun. Mine was not.” Many sources say that Pacino eventually opted out because he wanted Rambo to be more of a "madman."

12. Beverly Hills Cop (1984)

Before it became a showcase for the comedic stylings of Eddie Murphy, Beverly Hills Cop was a much edgier crime thriller that at different times was offered to Martin Scorsese and David Cronenberg to direct. Plenty of big-name actors besides Pacino turned down the role of Axel Foley, too (Mickey Rourke, Sylvester Stallone, and James Caan apparently among them).

13. Die Hard (1988)

During a freewheeling crowd Q&A in 2013, when confronted with the list of major movies that he turned down, Pacino had only this to say about Bruce Willis’ iconic role in Die Hard: “I gave that boy a career.”

14. Johnny Handsome (1989)

Though Pacino would later go on to work with director Harold Becker in Sea of Love and City Hall, in Grobel’s book, the actor explains that he first met Becker while they were developing Johnny Handsome:

“Harold and I were trying to find a third act, and we couldn’t. The first half of that movie is great. That was my favorite role ever in movies. I loved the whole idea of someone who’s been grotesque-looking and has made a life having to cope with that kind of deformity, to then have it lifted from him, and to have to cope with the world now … I loved the role. Loved it. But once again, one of those roles that just go down the drain if they couldn’t fix the last act. Mickey Rourke did a great job on it, but that didn’t matter; the movie didn’t have the finish.”

15. Snake Eyes (1998)

In 1997, Pacino was set to re-team yet again with his Scarface and Carlito’s Way director Brian De Palma on the Nicolas Cage film Snake Eyes. Until he wasn't. On July 11, 1997, Variety reported that, “After months of talks between filmmaker Brian De Palma, Paramount execs, and Al Pacino about starring opposite Nicolas Cage in Snake Eyes, Pacino officially has passed. The studio now is eyeing a handful of other actors, including Gary Sinise, to star the action thriller written by David Koepp.” (Sinise did take the part.)

16. Pretty Woman (1990)

Before you try and picture Pacino in the role made famous by Richard Gere, it’s key to remember that Pretty Woman was originally a much darker tale. Still, in 2010, Pacino explained to Larry King that, “Sometimes it's just not the right role for you and you don't feel you belong in that part.”

Back to the Future Screenwriter Weighs in on One of the Film’s Most Notorious Plot Holes

Lea Thompson and Michael J. Fox in Back to the Future (1985).
Lea Thompson and Michael J. Fox in Back to the Future (1985).
Universal Pictures Home Entertainment

Back to the Future is often hailed as one of the best-written movies ever produced. Time travel is notoriously tricky to navigate in film, but the 1985 blockbuster manages to do so while delivering smart jokes, satisfying pay-offs, and fully developed characters. Despite its many successes, the movie contains at least one potential flaw that's been bugging viewers since its debut: Why do George and Lorraine McFly fail to realize that Calvin Klein and their son Marty are the same person?

According to The Hollywood Reporter, Guardians of the Galaxy director James Gunn recently pointed out this plot hole while discussing what makes a perfect movie on Twitter. "A perfect film can be different from a favorite film, or a great film," he wrote. "Back to the Future SEEMINGLY could be imperfect (why don't Mom and Dad remember Marty?), but I would still argue it's a perfect film because there are reasons why this could conceivably be the case (time protects itself from unraveling, etc). Or maybe I'm in denial. Who knows."

When Marty travels back to the 1950s, where he stops his mom and dad from meeting but subsequently gets them to fall in love, his parents don't recognize him because he hasn't been born yet. At the end of movie, Marty returns to a new present-day 1985 that's been shaped by his actions in the past. That means, according to some critical viewers, that George and Lorraine would remember the person who introduced them in high school and thus realize he looked identical to their teenage son.

But this plot hole may not be much of a plot hole at all. The Hollywood Reporter gave Back to the Future screenwriter Bob Gale a chance to defend the script, and he said it isn't a stretch to think the McFlys wouldn't connect their son to someone they knew for a week in high school. "Bear in mind that George and Lorraine only knew Marty/Calvin for eight days when they were 17, and they did not even see him every one of those eight days," he told the publication. "So Lorraine and George might think it funny that they once actually met someone named Calvin Klein, and even if they thought their son at age 16 or 17 had some resemblance to him, it wouldn't be a big deal. I'd bet most of us could look through our high school yearbooks and find photos of our teenaged classmates that bear some resemblance to our children."

Gale's statement proves that the screenplay for Back to the Future is hard to pick apart. The movie is filled with details you may have missed on your first viewing—like the deeper meaning behind a famous line spoken toward the climax. Here are some more things to look for the next time you watch the movie.

[h/t The Hollywood Reporter]

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